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• Aug 13, 2014. Follow this simple XML workflow to export projects from Final Cut Pro and import them into Premiere Pro. XML: The key ingredient. XML is a commonly used file. This article shows you how to use XtoCC (formerly Xto7 for Final Cut Pro) by Intelligent Assistance to perform the XML conversion.
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May 03, 2017  BdS01E01-avi.html. Project Xto7 Serial Intitle index of arnacoeur how to hack ddf busty password-adds Karaoke Video Creator Keygen Exe-adds. The final mix and color correction was done out-of-house, which required timeline translation with Xto7 for Final Cut Pro. Export an FCP X XML, import that into Xto7.

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Final Cut Pro X exports a .fcpxml file, which Premiere Pro does not recognize.

To bring in an FCP X file into Premiere Pro, you need a converter tool that converts the .fcpxml file generated from Final Cut Pro X into a standard .xml file that Premiere Pro can import.

Adobe recommends using the XtoCC tool for this conversion.

Export the FCP X project as an XML file. For more information, see the Final Cut Pro documentation.


Convert the XML file into something Premiere Pro can read using the XtoCC tool. For more information, see the XtoCC documentation.


In Premiere Pro, select File > Import. Browse to the XML file, and click Open.

Not all elements of a Final Cut Pro X project get imported into Premiere Pro.

Here is a quick summary of what gets translated and what does not.

For a complete list of supported and unsupported elements, see the XtoCC documentation.

Elements	What gets translated	What does not get translated
Clips	Event clips: A bin named after the event is created containing all the master clips, and bins named for each keyword, favorite or rejected range are created containing subclips representing these ranges. The keyword’s Notes are added to the subclip’s Log Note field. Gap clips: Gap clips become empty spaces in the track. Compound clips: Compound clips become sequences, and compound clips in a project become nested sequences. Synchronized clips: Synchronized clips are translated into merged clips.	Multicam clips become collapsed clips containing the active angle(s)
Project	For projects, video clips and stills in the primary storyline become clips in track V1.Audio clips in the primary storyline become clips in tracks A1. Connected clips and clips in secondary storylines are added to higher numbered video and audio tracks. If there are video clips connected directly below the primary storyline these become track V1 below primary storyline clips in track V2, while lower video clips become disabled clips in higher numbered video tracks.
Timecode	The starting timecode of the project and its settings are maintained.
Markers	Unfinished to-do markers become red markers Completed to-do markers become green markers Chapter markers become yellow markers
Audio	Audio volume and pan and their keyframes on a whole clip are added to all audio tracks. Fade in and fade out handles are recreated using audio level keyframes. Audio volume and pan and their keyframes on individual audio components are added to their appropriate audio tracks.
Effects and transitions	Cross Dissolve, Zoom, Flash, Lens Flare, Black Hole, Flip, Page Curl, Ripple, Swing, Cube, Doorway, Squares, Star, Band, Center, Checker, Clock, Gradient, Inset, Letter X and Wipe transitions are substituted with equivalents Other transitions become Cross Dissolve Audio transitions become Cross Fades	Custom settings are not translated — transitions apply with default settings Transition settings
Blend modes	Subtract, Darken, Multiply, Add, Lighten, Screen, Overlay, Soft Light, Hard Light and Difference blend modes become their equivalent composite modes	Other blend modes are not supported
Text	Titles become Text titles containing the original text. Some titles with complex builds may have the text out of order in the Text title.
Speed	Constant speed changes are preserved.	Keyframed speed changes are converted to a constant speed change that maintains the duration of the original clip and uses the average speed of the clip.

You can import entire projects, selected clips, or selected sequences that you export from Final Cut Pro as XML files. In Premiere Pro, bins and clips have the same hierarchies and names that they have in the Final Cut Pro source projects. Also, Premiere Pro retains the sequence markers, sequence settings, track layout, locked tracks, and sequence timecode start points of Final Cut Pro source projects. Premiere Pro imports text from the Final Cut Pro Text generators into Premiere Pro titles.

Note:

You cannot import native Final Cut Pro project files, only XML files exported from Final Cut Pro. You can export Final Cut Pro XML files from Premiere Pro. The effects that are translated from Premiere Pro are the same as those that are imported from a Final Cut Pro XML f ile.

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For a list of items in Premiere Pro that are translated from a Final Cut Pro XML file, see Final Cut Pro clip data, Final Cut Pro effects and transitions, Final Cut Pro composite modes, and Final Cut Pro Multiclips. Also, see the PDF, Appendix D: Working with Final Cut Pro from the Editor's Guide to Premiere Pro by Richard Harrington, Robbie Carman, and Jeff Greenberg for more information.

Export an XML file from Final Cut Pro.For more information, see Final Cut Pro Help.

Learn the simple XML workflow for exporting projects from Final Cut Pro and importing them into Premiere Pro in this video tutorial.

Clip data in the Description, Scene, ShotTake,and LogNote fields in Final Cut Pro appear in the clip metadatafields with the same names in Premiere Pro.

Premiere Pro retains the basic motion and opacity effects, and motion and opacity keyframes, from Final Cut Pro source projects. Additionally, Premiere Pro converts some Final Cut Pro effects and transitions according to the following tables:

Premiere Pro retains the basic motion and opacityeffects, and motion and opacity keyframes, from Final Cut Pro sourceprojects. Premiere Pro converts Final Cut Pro composite modes accordingto the following table:

Premiere Pro converts uncollapsed Final CutPro Multiclips, with as many as four inputs, to Multi-camera sequences.Premiere Pro converts collapsed Multiclips to individual clips.

Note:

PremierePro issues a warning when you try to import a Multiclip with more thanfour inputs.

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